Diversity Needed Under the Sea: Not All Mermaids Have Blond Hair and Blue Eyes

By Cindy L. Rodriguez

This month, we’re taking a look at Latin@s in science fiction and fantasy. On Monday, Zoraida Córdova explained how instead of writing about her immigration experience, which seemed expected of her, she decided to write about what interested her most: merfolk.

While there have been hundreds of children’s books published about mermaids, very very very few have featured mermaids or mermen who did not have blond or red hair and blue or green eyes. We asked via Twitter if anyone knew of a Latin@ YA author, other than Zoraida, who wrote about merpeople, or books, other than Zoraida’s The Vicious Deep series, that featured diverse characters. We didn’t get any responses. So, the world under the sea seems to be another area of kid lit that could use some diversifying.

If you have a mermaid story in you, waiting to be told, please consider this: every culture has its own mythology packed with gods and goddesses similar to those in Greek and Roman tales. I’m not saying you should ignore Poseidon or not create white merfolk with blond hair and blue eyes. But, think about it this way: Wouldn’t the sea god mingle with mermaids of color if he is responsible for all of the seas in the world? Knowing that merfolk exist in Mexican, Brazilian, Caribbean, and African mythology, to name a few, gives you the opportunity to diversify your mermaid community. And I know we’re talking about fantasy fiction here, so really you can do whatever you want, including making your mermaids purple, green, or any other color. But, if your writing is rooted in known mythological stories, then keep in mind that mythological stories exist beyond Greece and Rome, so your merfolk don’t all have to look the same.

Check these out:

A cool Tumblr dedicated to mermaids of color.

The City Gallery at Waterfront Park in Charleston, South Carolina, had an exhibit called Mermaids and Merwomen in Black Folklore.

The Smithsonian National Museum of African Art had an exhibit on Mami Wata (Mother Water), the water spirit of Africa.

Iemanja.JPG    

L to R: The first two images are of Iemanjá, Brazil’s goddess of the sea, who is sometimes portrayed as a mermaid. The image on the right is a bronze statue of Iara, a water queen. The statue is outisde the Alvorada Palace, the official presidential residence in Brasília.

                                   

On the left is a Loteria card, part of a Mexican game of chance, featuring La Sirena (the siren). On the right is a work of art by Jose Garcia Antonio of San Antonino Castillo Velasco, Oaxaca, Mexico seen at the Museo de Culturas Populares in Coyoacan, Mexico City.

confetti-cannon-oAnd now, we’d like to celebrate our own Zoraida Córdova, mermaid expert and writer extraordinaire. Why? Because she’s a Latina writer with a diverse cast of characters in the deep blue sea. And her final novel of The Vicious Deep trilogy, published by Sourcebooks Fire, released on July 1!

Here’s a run down of her series:

12246929For Tristan Hart, everything changes with one crashing wave. He was gone for three days. Sucked out to sea in a tidal wave and spit back ashore at Coney Island with no memory of what happened. Now his dreams are haunted by a terrifying silver mermaid with razor-sharp teeth. His best friend Layla is convinced something is wrong. But how can he explain he can sense emotion like never before? How can he explain he’s heir to a kingdom he never knew existed? That he’s suddenly a pawn in a battle as ancient as the gods. Something happened to him in those three days. He was claimed by the sea…and now it wants him back.

13092528A storm is coming…The ocean is a vicious place. Deeper and darker than Tristan could have imagined. Beneath its calm blue surface, an ancient battle is churning —and no one is safe. In the quest for the Sea Throne, Tristan has already watched one good friend die. Now he must lead the rest on a dangerous voyage in search of the trident that will make him king. But while Tristan chases his destiny, the dark forces racing against him are getting stronger, and the sea witch of his nightmares is getting closer. Battling sea dragons and savage creatures of the deep, Tristan needs his friends’ support. But they each have their secrets, and a betrayal will force Tristan to choose between his crown and his best friend Layla — the only girl he’s ever loved.

17933160

This epic clash of sand and sea will pit brother against brother–and there can only be one winner. In two days, the race for the Sea Court throne will be over-but all the rules have changed. The sea witch, Nieve, has kidnapped Layla and is raising an army of mutant sea creatures to overthrow the crown. Kurt, the one person Tristan could depend on in the battle for the Sea King’s throne, has betrayed him. Now Kurt wants the throne for himself. Tristan has the Scepter of the Earth, but it’s not enough. He’ll have to travel to the mysterious, lost Isle of Tears and unleash the magic that first created the king’s powerful scepter. It’s a brutal race to the finish, and there can only be one winner.

The 2014 International Latino Book Awards Winners!!

Below are the first place winners of the 16th Annual International Latino Book Awards in the children’s, youth, and young adult categories. If you click on the images, you will be taken to Goodreads, Barnes and Noble, or Amazon for more information. The Awards are produced by Latino Literacy Now, an organization co-founded by Edward James Olmos and Kirk Whisler, and co-presented by Las Comadres para las Americas and Reforma, the National Association to Promote Library and Information Services to Latinos. The Awards were announced this past weekend, on June 28, in Las Vegas as part of the ALA Conference. For the complete list, which includes adult fiction, nonfiction, and second place and honorable mention winners, click hereCONGRATULATIONS TO ALL OF THE WINNERS!!

Best Latino Focused Children’s Picture Book: English

18296043

Best Latino Focused Children’s Book: Spanish or Bilingual

17265250  19483940

Best Children’s Fiction Book: English

Best Children’s Fiction Picture Book: Bilingual

17940785

Best Children’s Fiction Picture Book: Spanish

17802285

Best Children’s Nonfiction Picture Book

13610203

Best Educational Children’s Picture Book: English

15791044

Best Educational Children’s Picture Book: Spanish or Bilingual

Hola! Gracias! Adios!

Most Inspirational Children’s Picture Book: English

18371476

Most Inspirational Children’s Picture Book: Spanish or Bilingual

Pink Firetrucks

Best Youth Latino Focused Chapter Book

10436183  16670129

Best Youth Chapter Fiction Book: English

17166339

Best Youth Chapter Fiction Book: Spanish or Bilingual

Best Youth Chapter Nonfiction Book

Most Inspirational Chapter Book

The Adventures of Chubby Cheeks: The Pro Quest

Best Young Adult Latino Focused Book: English

15769992

Best Young Adult Latino Focused Book: Spanish or Bilingual

Los Pájaros No Tienen Fronteras by Edna Iturralde

Best Young Adult Fiction Book: English

15798660

Best Young Adult Fiction Book: Spanish or Bilingual

La Guarida de las Lechuzas by Antonio Ramos Revillas

Best Young Adult Nonfiction Book

Best Educational Young Adult Book

Most Inspirational Young Adult Book

15769992

Best Book Written by a Youth: English

15020431

Best Book Written by a Youth: Spanish or Bilingual

  Serendipity, Poems About Love in High School

Best Children’s Picture Book Translation: Spanish to English

17465058

Best Children’s Picture Book Translation: English to Spanish

Best Chapter/Young Adult Book Translation: English to Spanish

El Gusano de Tequila

Best First Book: Children’s and Youth

 

The Little Ecuadorian Mermaid

web_mermaid

Graffiti mermaid at the Lola Starr store in Coney Island

By Zoraida Córdova

Welcome as we kick off our LATIN@S IN SCI-FI & FANTASY MONTH!

After the release of my first book someone told me that mermaids were cool and all, but I should write about my own “experience.” I remember the words more than the guy who said them to me. Now, I believe that fantasy stories are a great metaphor for coming of age. I have a 16 year old dude who turns into a merman and the first thing he worries about is how his body changes (typical boys). In Blood and Chocolate, the very sexy werewolf is a metaphor for the changes girls go through when they menstruate. Hell, watch the first three seasons of Buffy the Vampire Slayer for stories that are magic, but still mirror “normal” teenage coming of age.

mermaid laptop

My laptop

But when this guy told me all these years ago to write about my “experience,” he wasn’t talking about coming of age, he was talking about my immigrant experience. Some time ago, I put out a question to Twitter for links to Latin@s writing YA fantasy, and I got back “Have you read Isabelle Allende’s YA series?” (She is a BAMF in her own right, but still). While I love contemporary stories, and I think it’s important to read all kinds of narratives that show how different each Latino experience is in the U.S., the stories I want to write are about magic.

Mermaid_blog

from @Pocoquattro

I grew up listening to my grandmother sing to me. I grew up reading fables and getting scared of el Cuco and la Llorona. When I started writing The Vicious Deep trilogyI knew I was writing a book that had been brewing in my head for years. For a long time when people remarked “You speak English so well,” I would respond with “All I did as a kid was watch The Little Mermaid,” so that’s how I learned to speak English. It’s true, I watched it every day, rewinding the VHS as soon as Ariel got her happy ending. Whether or not it was my vehicle for the English language is debatable, but it’s become part of the story I tell.

I’ve always been drawn to magic and magical things. I want to believe in magic, and the way that I can show that is through creating magical worlds. When I was in high school my favorite books were about vampires and witches and dragons. It was book browsing at a B&N with a friend that pushed me to really write about mermaids. The conversation went something like this:

Me: I can’t find a mermaid story that I really love.

Him: So write one.

Me: Yeah…

THAT’S IT. I listened. I took a notebook with me to the beach (Coney Island, obvs) and this story LITERALLY poured out of my head. (Two points from Ravenclaw for improper use of “literally.”)

Mermaid on the ground in South Beach.

Mermaid on the ground in South Beach.

If you don’t see the story you want to read on the shelves, write it. Mermaids have always been magical to me, but it wasn’t until someone else pointed it out that I realized I could add my own mythology to my favorite magical creatures. Lately, we’ve been talking about diversity a lot, and I think the same thing applies to that. You don’t see yourself represented? Write your own story. If you want to write about magical ponies that travel through time, do it. If you want to write about the story of a girl who is looking for summer romance, do that, too.

I wonder if the reason there aren’t more Latin@s writing as much SF/F is because people (like that dude mentioned earlier) assume that the only story we have to tell is one of immigration or assimilation. And that’s just not so. If you check out this list from Cosmopolitan of 5 Latina YA authors to look out for, all of these stories fall in SF/F category. And if you go to Diversity in YA, they have an awesome list of just some Latin@s (authors and/or characters) in SF/F.

Tomorrow is the launch of the third book, The Vast & Brutal Sea.  I want to share some images of mermaids around town. I asked the lovely ladies of Latin@s in Kid Lit (and some from Twitter friends) to snap photos of mermaids if they happen upon them:

photo (11)

Original art by the super talented Lila Weaver

photo (9)

From Stephanie Guerra. Cafe Torino, downtown Seattle

Triton! South Beach

Triton! South Beach

The Sagamore Hotel in South Beach

The Sagamore Hotel in South Beach

mermaid_3

From @PoccoQuattro.

A friend sent this to me. Art by Paul Webb from St. Louis.

A friend sent this to me. Art by Paul Webb from St. Louis.


And now from my apartment, the Chateau Mer-mont: 

mermaid bottle opener

Her tail opens bottles. That’s talent.

mermaid and coney

My bookend…not holding up any books.

mermaid fancy

My fancy mermaid being fancy

 

I hope from now on you’ll start seeing mermaids everywhere. For now, follow my blog tour over at www.zoraidacordova.com I hope you enjoy the rest of our SF/F month!

 

Swim with the fishies like,

Zoraida

Q&A with Author Estela Bernal About “Can You See Me Now?”

can you see me nowBy Edith Campbell

This Q&A was originally published on Edi Campbell’s site.

Estela Bernal made her debut as an author this past May with Can You See Me Now? (Pinata/Arte Publico). As you get to know her today and find out a little more about Can You See Me Now? you’ll be impressed, but you’ll be even more impressed to know that she’s donating 100% of her proceeds to education and animal rights.

Just a little about the book. Kirkus says:

Tragedy strikes on Mandy’s 13th birthday when her father is struck by a drunk driver and killed. Now grief—both her own and her mother’s—complicates the already confusing landscape of early adolescence.

With her mother working more and more hours in the wake of her father’s death, Mandy begins spending most of her time living with her grandmother. Often the target of bullies, loner Mandy approaches Paloma to be her partner for a school project. Paloma is also a misfit, but she carries herself with a self-assured grace that Mandy finds compelling. As she becomes closer to Paloma, she learns about the practices of yoga and meditation, which are foundational in Paloma’s family. An overweight boy in class, Rogelio, is also touched by tragedy when his family’s home burns down, and Paloma invites him to join their yoga crew. As the three continue practicing together, they each begin to cultivate their own peace amid the chaos in their lives. Though each faces personal challenges, they find friendship and support in one another. Bernal has succeeded in crafting a story that acknowledges tragedy without wallowing in it, placing her emphasis on resilience and personal growth. The quick pace and distinctive characters make for a smooth, well-crafted read.

Middle-grade readers should respond to this tender story of learning to connect with others through open eyes and an open heart. (Fiction. 10-13)

estelaAnd here’s Estela’s interview:

Edi: Where did you grow up?

Estela: I grew up in South Texas (the Rio Grande Valley).

Edi: Do you have any pets?

Estela: I love animals and have had many pets through the years. I currently have two cats.

Edi: What were some of the first books you found as a child that turned you into a reader?

Estela: I grew up in a home where we had no books. There were no public libraries in my hometown either. Despite the lack of age-appropriate reading material, I fell in love with books as soon as I learned to read. I remember reading the Weekly Reader and whatever else I could get my hands on at school. Although I don’t remember where I got it, Pearl Buck’s The Good Earth was one book I read and re-read. I’ve always been a dreamer and this book opened up an exotic, new, and very fascinating world to me.

Edi: Meat or vegetables?

Estela: Vegetables, absolutely! As an animal lover, I volunteered with many animal welfare organizations until I was able to form my own. Through it, I do community education and help provide low-cost spay/neuter services to residents’ pets in underserved communities. It would be hard to justify rescuing some animals while eating others. Besides, I find that when I eat a healthy diet, I feel so much better.

Edi: Which famous person would you most like to have write a review for your book?

Estela: So many famous and not-so-famous people come to mind. It always makes me happy to hear about celebrities and other public figures who are also great philanthropists and who help raise awareness about some very important issues facing society today. But there are also many unsung heroes quietly working to help make their communities better places to live. I sincerely believe we all have the potential to do good and that, after all, is what really matters. Two of my own favorite causes are education and animal welfare so my choice would have to be someone with similar ideals.

Edi: What three things would you like to add to a list of national treasures?

Estela: Although man-made treasures are priceless, I believe that natural treasures are absolutely essential. I’d love to see all public waterways, land (public, private, agricultural), and all living beings protected and preserved for our well-being and that of future.

Edi: Why would you be up at 3 am?

Estela: Usually, I’m only up at that time if I’m traveling and have to catch an early flight.

Edi: What book(s) are you currently in the middle of reading?

Estela: I’m currently making my way through a 100 Greatest Books for Kids list and just started Pam Muñoz Ryan’s Becoming Naomi León. I’m also reading my latest copy of Glimmer Train.

Edi: What made you decide to write about a teen who discovers yoga?

Estela: One of my nephews died accidentally a few years ago. The accident happened in front of his wife and children and I began to wonder how such a tragic event would affect any family who witnessed it. That also got me thinking about how a child, already weighed down by grief, would cope with the additional burden of parental abandonment and being bullied on top of everything else. Adolescence is tough enough as it is, and adding all this other stress can lead to such despair that anyone could easily be overwhelmed. I wanted to introduce the idea that there are alternatives to violence, that there is help even when we think there is no safe way out of certain situations, and most importantly, that there are ways to access inner peace.

When I first discovered yoga, I was going through a stressful period in my life and still remember the feeling of calm and well-being that I experienced when I was able to slow down the thoughts racing through my mind long enough to catch my breath and try to put things in perspective. The character Paloma seemed the perfect vehicle through which to introduce the topic and Mandy, of course, was the ideal student.

Edi: I’m sorry to hear your family experienced such a tragedy. I can definitely see how that experience could inspire your writing.

I haven’t had the opportunity to read Can You See Me Now?, but I do know it’s about a thirteen-year-old girl whose father dies in a car accident and her mother blames her for it. At 13 (or there about) to which adult were you the closest?

Estela: I was a very shy child and at thirteen I was closest to my mother. Because I was the youngest child in my family and my parents were old enough to be my grandparents, the fear of losing them seemed to always be in the back of my mind. If my mother wasn’t there when I got home from school or from playing with my friends, I panicked.

Edi: Who is your favorite author and what is it that really strikes you about their work?

Estela: Again, this is a hard question to answer because there are so many authors I admire, but I’d have to say Harper Lee ranks pretty high on my list along with Sandra Cisneros. Although their work is very different, I find the characters so easy to relate to and the stories so hard to forget.

Edi: What’s the trick to writing humor?

Estela: I’m sure there is a trick to it and I suppose part of it is to be naturally funny. I don’t set out to write humor, but because I do write about serious issues which can be hard to address when writing for a younger audience, I try to ease the tension by including bits of humor here and there as I weave the story. The humor I use is based on things that tickle my own funny bone.

Edi: What does diversity mean to you?

Estela: Diversity to me is inclusivity. I try to write about things that all readers can relate to regardless of their racial or social background because, no matter what other commonalities we may or may not share, there are certain things that we all have to experience at some point in life.

Speaking of diversity, I’m glad to see that the need for diversity in children’s literature is finally starting to get the attention it deserves. Although the need has always been there, it’s great that diversity among the writing population is also changing, however gradually.

Edi: Thanks, Estela! It’s a pleasure getting to know you!

Visit Estela’s website.

Edith CampbellEdith Campbell is a mother, librarian, educator and quilter. She received her B.A. in Economics from the University of Cincinnati and MLS from Indiana University.  Her passion is promoting literacy in all its many forms to teens and she does this through her blog, CrazyQuiltEdi and in her work as an Education  Librarian at Indiana State University in Terre Haute, Indiana. Edith currently serves as the IN State Ambassador for the United States Board on Books for Young People and is a past member of YALSA’s Best Fiction for Young Adults selection committee.

Book Review: Dale, Dale, Dale: Una fiesta de números/Hit it, Hit it, Hit it: A fiesta of numbers by René Saldaña, Jr.

By Sujei Lugo

DaleDaleDaleCoverDESCRIPTION FROM THE BOOK (provided by publisher): In this bilingual counting picture book, a young boy counts to twelve in anticipation of his birthday party: one piñata filled with candy; two hours until the party; three tables set for all the guests, etc.

MY TWO CENTS: Using simple text interwoven with a birthday party theme, René Saldaña, Jr. creates a fun bilingual counting book that makes us want to join the party. Carolyn Dee Flores’s illustrations are filled with photorealism and vibrant colors, supporting Saldaña’s words, and they successfully capture the excitement of children’s birthday parties. In what is definitely a welcomed surprise, Dale, Dale, Dale/ Hit it, Hit it, Hit it not only illustrates an adequate counting story, but decides to tell a good tale about sharing and enjoying a special day with your loved ones.

Our young protagonist is Mateo, a boy who anxiously awaits his birthday party and who uses this opportunity to practice counting throughout his special day. From “one piñata filled with candy” to “twelve children ready to swing at the piñata,” readers can count along with Mateo in Spanish and English. The items that the boy chooses to count include party supplies, colorful toys, lucha libre masks, musical instruments, and his own cousins. The picture book doesn’t limit readers to count only Mateo’s choices, but places other elements that can be counted throughout each page.

This bilingual book provides simple sentences in Spanish and English, which early readers, whether in one language or both, can easily follow. Although the translation of some words is problematic for language learners, for example, niños/guests, it isn’t a limitation to learn and practice words in two different languages.

As a picture book, the photorealistic illustrations can be seen by some as a weakness at the moment to capture children’s attention. But Flores plays well with vibrant colors to encourage young readers to focus on the story and stimulate them, not only to count, but also to identify different colors displayed on every page. The educational content of the book will inspire children to count everything around them and will motivate them to be even more excited to have their own birthday party.

TEACHING TIPS: As early readers or as a read aloud, this bilingual picture book works well for children ages 4-6. Parents, caregivers, and librarians can read in Spanish, English, or both, while encouraging young ones to practice their counting skills and color identification. Children can also point out what they like about birthday parties and collaborate to plan their next one. A song is included in the story, which can be useful if you include a piñata in your party.

Teachers can plan learning activities to combine math and language arts. Students can learn new vocabulary words, numbers, colors, and Spanish-English language meaning. Activities that develop memory and concentration can be done with second graders, including sequence of events and pairing numbers with items mentioned in the book.

AUTHOR & ILLUSTRATOR: René Saldaña, Jr. is a Latino young adult and children’s books writer and Language and Literacy professor at Texas Tech University. He holds a B.A. from Bob Jones University, a M.A. from Clemson University, and a Ph.D. in English and Creative Writing from Georgia State University.

He is the author of several books, including his semi-autobiographical novel The Jumping Tree (2001), Finding Our Way: Stories (2003), the Junior Library Guild selection The Whole Sky Full of Stars (2007),  A Good Long Way (2010), the collection of short stories Dancing with the Devil and Other Tales from Beyond/Bailando con el Diablo y otros cuentos del más allá (2012), and the bilingual Mickey Rangel mystery series.

Carolyn Dee Flores, a former computer analyst, is a writer, illustrator, musician, and composer. She attended the International School of Bangkok, Thailand and Naha, Okinawa, Japan, and Trinity University, where she studied Engineering, Philosophy and Art. Flores began her painting career as a muralist and oil painter, before switching over to children’s books illustration.

She has illustrated several other children’s books, including Canta, Rana, Canta/Sing, Froggie, Sing (2013), Peggy Caravantes’s Daughter of Two Nations (2013).

For more information about Dale, Dale, Dale: Una fiesta de números/Hit it, Hit it, Hit it: A fiesta of numbers (2014), visit your local library or bookstore. Also check out worldcat.org, goodreads.com, indiebound.org, and Arte Público Press.

 

Book Review: Dalia’s Wondrous Hair/El Cabello Maravilloso de Dalia by Laura Lacámara

By Sujei Lugo

18654384DESCRIPTION FROM THE BOOK: A Cuban girl transforms her long and unruly hair into a garden.

MY TWO CENTS: In this bilingual picture book, with a Spanish translation by Gabriela Baeza Ventura, Laura Lacámara brings us a whimsical Caribbean tale of a young Cuban girl and her luxuriant hair. Lacámara’s colorful illustrations express the joyful spirit of the main character and transport us to the sunny, tropical Caribbean.

The story introduces us to Dalia, a young girl who one day wakes up and finds out that her hair has grown straight up and as tall as a Cuban royal palm tree. Many children would panic with such news, but Dalia can’t hold the excitement of her new wondrous hair. She then embarks on a journey to add to her hair different natural elements of a Caribbean tropical island, such as wild tamarind, coontie plant, and violet leaves. Her purpose is to show her mother the different types of “trees” she can recreate using her hair, ending with a beautiful and unique one.

What stands out in this picture book is Lacámara’s ability to portray through her paintings the endearing relationship between Dalia and her mother and their lives in harmony with nature. The expressions on their faces capture the happiness and warmth of a loving mother and daughter bond. Other characters in the book, Señora Dominguez, Señora Soledad and Soledad’s daughters, all play supporting roles to Dalia’s “hairy” journey and to their connection to the natural world. Through this all-women set of characters, we see a growing sense of community and a sympathetic portrayal of peculiar characters we can encounter in a rural neighborhood.

By situating their home in rural Cuba, the author incorporates the Caribbean’s particular flora and fauna into the story. Through beautiful landscapes that fill the book with a graphical sense of the fresh air and natural environment of this tropical island, the book introduces young readers to different components of the natural world: royal palms, sugar cane fields, wild tamarinds, moonflowers, coontie plants, wild violets, caterpillars, birds, fireflies, ponds, and the ocean. Even the characters’ clothing are filled with flowers and leaf patterns, giving us powerful images that convey a reverence to the natural world.

According to a statement on the first page, the publication of Dalia’s Wondrous Hair/El Cabello Maravilloso de Dalia was funded by a grant from the city of Houston through the Houston Arts Alliance and published by Piñata Books, the children’s literature imprint of Arte Público Press. We should acknowledge their efforts, along with other great publishers,  to continuously provide a space for the publication of Latino/a authors and illustrators.

TEACHING TIPS: This bilingual picture book is recommended for children ages 4-7. It works well as a read aloud and for early readers. At home or at the library, librarians, parents, grandparents, family members or guardians can read with their young ones in English, Spanish or both, while teaching new words and identifying different colors, animals, and plants. The author provides a guide to create your own butterfly garden at home, a fun activity for everyone to enjoy.

Language Arts, Science, and Art teachers can create different activities where students can learn new words, identify adjectives mentioned throughout the story, and learn about different types of plants, trees, and animals. The book includes notes of Cuban natural world references (in English and Spanish) that are part of their stories, with a description. Art teachers can use this book to incorporate science to their classrooms. Students can draw, paint, or use different materials to create their own version of Dalia’s hair, using as reference words learned and natural elements of the story. 

AUTHOR: Laura Lacámara is a Cuban-born children’s books author and illustrator. Lacámara holds a Bachelor of Fine Arts in Drawing and Painting from California State University, Long Beach and studied printmaking at Self Help Graphics in East Los Angeles. Her love for writing and illustrating children’s books grew when she signed up for a children’s book illustration class at Otis College of Art and Design in Los Angeles, California.

She is the author of Floating on Mama’s Song/Flotando en la Canción de Mamá (Junior Library Guild Selection, Fall 2010 & Tejas Star Book Award finalist 2011-12) and illustrator of The Runaway Piggy/El Cochinito Fugitivo (winner of 2012 Tejas Star Book Award) and Alicia’s Fruity Drinks/Las Aguas Frescas de Alicia.

Laura Lacámara is an active member of the Society of Children’s Book Writers and Illustrators (SCBWI) and frequently serves as a presenter at conferences, book festivals, and schools. She currently lives in Southern California.

FOR MORE INFORMATION ABOUT Dalia’s Wondrous Hair/El Cabello Maravilloso de Dalia, visit your local library or bookstore. Also check out worldcat.org, indiebound.orggoodreads.comamazon.com, and barnesandnoble.com.