by Zoraida Córdova
Happy Hanukkah!
Stockphoto.com
Hanukkah is the eight-day festival of light celebrated during the beginning in the Jewish month of Kislev.
Let’s get serious for a minute. I wanted to do some research about the intersection between Latino and Jewish people.
Latinos and Jewish histories have been intertwined for a long time, and most of it is full of wrong-doing by part of the Spanish. There’s the horrific moment in Spanish history when in 1492 the king of Spain ordered Jewish people to convert or to leave or be put to death. (Why don’t we learn from history?) Because of this, many Jews did convert to Catholicism to stay in their homes. In 2008, a study showed that 20 percent of men in Spain have Sephardic ancestry. In the Latin Americas, those who did go over to the New World kept their faith hidden. More recently, there was the immigration, asylum, refuge, and forced displacement of Jewish people during and after World War II. Thousands of refugees and Nazi camp survivors were able to find homes in South American countries though others barred their entry due to anti-Semitism.
During a visit to Ecuador in my teens, I remember driving past a Jewish home. How could I possibly know that they are Jewish? They had a beautiful Star of David in a mosaic on the outside gate. I say gate, but I mean a wall. Homes are mostly made of cement in Ecuador because of the humidity. Anyway, the neighbors largely mysticized them because they mainly kept to themselves. We have this perception of Jewish people as being separate. But when we spend the entire history of the WORLD marginalizing and trying to convert a group of people, and taking away their lives and rights, how can we even begin to call ourselves neighbors and allies? Today there is still a lack of intersectionality between minority groups and Jewish people.
Meanwhile, I keep thinking about how Jewish culture has enriched Latin culture. As a kid, I listened to lots of salsa music because of my mom and grandma. They listened to the Fania All Stars religiously. There was this guy nicknamed “El Judio Maravilloso” which translates to “The Marvelous Jew.” His name was Larry Harlow and his love and study of Afro-Cuban music spawned some of the best salsa we have. If you love Celia Cruz, she sang a beautiful version of Hava Nagila. For more on the Latino-Jewish music connection, listen to this NPR podcast: Bagels and Bongos. Music has a way of bringing people together.
This brings me to books. As we mix cultures and religions, where is the representation of the growing Latino-Jewish community? I have Ecuadorian-Jewish cousins. My friend (Jewish) and his wife (Bolivian) are celebrating their daughter’s first Hanukkah. They need books that show her different identities. When we talk about representation and diversity, we have to mean it. Latino-Jewish history is steeped in a painful past, but our present has wrought some excellent music and literature. And we need more. Here are eight books, by or about Jewish-Latinos, to get your started.
“My name is Marisol McDonald, and I don’t match. At least, that’s what everyone tells me.”
Marisol McDonald has flaming red hair and nut-brown skin. Polka dots and stripes are her favorite combination. She prefers peanut butter and jelly burritos in her lunch box. And don’t even think of asking her to choose one or the other activity at recess–she’ll just be a soccer playing pirate princess, thank you very much. To Marisol McDonald, these seemingly mismatched things make perfect sense together.
Unfortunately, they don’t always make sense to everyone else. Other people wrinkle their nose in confusion at Marisol–can’t she just be one or the other? Try as she might, in a world where everyone tries to put this biracial, Peruvian-Scottish-American girl into a box, Marisol McDonald doesn’t match. And that’s just fine with her.
A mestiza Peruvian American of European, Jewish, and Amerindian heritage, renowned author Monica Brown wrote this lively story to bring her own experience of being mismatched to life.
When Isobel is invited to Aunt Luisa’s for Hanukkah, she’s not sure what to expect. Aunt Luisa has recently arrived from Mexico. “At Aunt Luisa’s you’ll get to celebrate the Hanukkah Moon,” Isobel’s father promises. Isobel’s days at Aunt Luisa’s are filled with fun and surprises — a new camera, a dreidel pinata filled with sweets, and a mysterious late night visit to welcome the luna nueva, the new moon that appears on Hanukkah. An unusual Hanukkah story with a multi-cultural focus, this title celebrates a little-known custom of the Latin-Jewish community.
Jalapeno bagels are the delicious coming together of two cultures as the son of a Jewish baker and his Mexican wife decides what to bring to school for International Day. This warm story, illustrated by rich watercolors, comes complete with recipes for all the items that Pablo helps his parents make. Full color.
“Nono’s Kisses for Sephardic Children” is Flori Senor Rosenthal’s first of the Legacy and Literacy Scholastics Series. The book contains beautiful illustrations representing Ladino phrases. It was written to teach and encourage the usage of the Ladino language to children between the ages of 4 and 9. However, all ages will enjoy it and find it useful. Ladino or Judeo-Spanish is the language of Sephardic Jews. According to the United Nations, it is an endangered language. With each Ladino phrase found in the book, there is a question relating to its picture. This question, engages the parent and child into conversation. Ladino vocabulary words, pronunciations and English translations are provided to be used in these and other conversations and games between parents and their children. To make the learning experience even more fun, there is a hidden butterfly, in every illustration, to be found by the child. Ms. Senor Rosenthal’s father inspired her to write “Nono’s Kisses for Sephardic Children”. She wrote it to honor a tradition known specifically to Sephardic Jews. The book is an extraordinary teaching and learning tool for Ladino, and the Sephardic culture. However, those interested in the Spanish language and its history will also find this book interesting. Ms. Senor Rosenthal believes that her series will spark renewed interest in the Ladino language with the goal of having it removed from the endangered language list.
Lola Levine likes writing in her diario, sipping her mom’s cafe con leche, eating her dad’s matzo ball soup, and playing soccer with her team, the Orange Smoothies. So what if she doesn’t always fit in?
Lola is fierce on the field, but when a soccer game during recess gets too competitive, she accidentally hurts her classmate Juan Gomez. Now everyone is calling her Mean Lola Levine! Lola feels terrible, but with the help of her family, her super best friend, Josh Blot, and a little “pencil power,” she just might be able to turn it all around.
An eleven-year-old’s world is upended by political turmoil in this “lyrically ambitious tale of exile and reunification” (Kirkus Reviews) from an award-winning poet, based on true events in Chile.
Celeste Marconi is a dreamer. She lives peacefully among friends and neighbors and family in the idyllic town of Valparaiso, Chile—until one day when warships are spotted in the harbor and schoolmates start disappearing from class without a word. Celeste doesn’t quite know what is happening, but one thing is clear: no one is safe, not anymore.
The country has been taken over by a government that declares artists, protestors, and anyone who helps the needy to be considered “subversive” and dangerous to Chile’s future. So Celeste’s parents—her educated, generous, kind parents—must go into hiding before they, too, “disappear.” Before they do, however, they send Celeste to America to protect her.
As Celeste adapts to her new life in Maine, she never stops dreaming of Chile. But even after democracy is restored to her home country, questions remain: Will her parents reemerge from hiding? Will she ever be truly safe again?
Accented with interior artwork, steeped in the history of Pinochet’s catastrophic takeover of Chile, and based on many true events, this multicultural ode to the power of revolution, words, and love is both indelibly brave and heartwrenchingly graceful.
Emily is a Jewish girl from the suburbs of New York. Her mother has family in Puerto Rico, but Emily has never had contact with them- ever. Then Emily’s grandmother dies and Emily is forced to go to the Caribbean for her funeral. Buttoned-up Emily wants nothing to do with her big, noisy Puerto Rican family, until a special person shows her that one dance can change the beat of your heart.
Shirin is an Iranian princess; Ingrid, a German-Canadian eccentric; and Vivien, a Cuban-Jewish New Yorker culinary phenom. The three are roommates at a Swiss boarding school, where they spend their summers learning more than French and European culture. As the girls’ paths cross and merge—summers together, school years separate—they navigate social and cultural differences and learn the confusing and conflicting legacies of their families’ pasts. In the spirit of The Sisterhood of the Traveling Pants, Shirin, Ingrid, and Vivien grow together even when they are apart, forming unbreakable bonds along the way.
Zoraida Córdova was born in Guayaquil, Ecuador, where she learned to speak English by watching Disney’s The Little Mermaid and Michael Jackson’s Moonwalker on repeat. Her favorite things are sparkly like merdudes, Christmas, and New York City at night. She is the author ofThe Vicious Deep, The Savage Blue, The Vast and Brutal Sea, Luck on the Line, Love on the Ledge, and Life on the Level.
Cecilia Cackley is a performing artist and children’s bookseller based in Washington DC where she creates puppet theater for adults and teaches playwriting and creative drama to children. Her bilingual children’s plays have been produced by GALA Hispanic Theatre and her interests in bilingual education, literacy, and immigrant advocacy all tend to find their way into her theatrical work. You can find more of her work at 
By Marilisa Jiménez García, Ph.D.
Marilisa Jiménez García is a research associate at the Center for Puerto Rican Studies, Hunter College, CUNY. She works at the intersections of Latino/a Studies and childhood and children’s literature studies. She attended a performing arts middle school for theater and is currently working on a book manuscript on the history of Latino/a children’s and young adult literature and an essay on the Latino/a “YA” tradition. One of the chapters in her manuscripts is about Sonia Manzano’s work. She is also conducting a 
Latinxs in Kid Lit 