Book Talk: Not a Bean by Claudia Guadalupe Martínez, illus. by Laura González

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Welcome to another Book Talk, which can be found on our YouTube channel!

Here, Dr. Sonia Rodriguez and Dora M. Guzmán talk about NOT A BEAN, written by Claudia Guadalupe Martínez, and illustrated by Laura González.

ABOUT THE BOOK: A Mexican jumping bean isn’t a bean at all. It’s a fascinating home and food source for a special kind of caterpillar!

With Spanish vocabulary and a clever counting concept, this poetic story shares the life cycle of a Mexican jumping bean. This curious jumping insect is actually a seedpod from a shrub called yerba de la flecha, into which a caterpillar burrows, living inside the pod until it builds a cocoon and breaks out as a moth. Perfect for preschoolers and prereaders, this creative picture book explores the Mexican jumping bean’s daily life and eventual transformation and escape from the pod.

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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.

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Dora M. Guzmán is a bilingual reading specialist for grades K-5 and also teaches college courses in Children’s Literature and Teaching Beginning Literacy. She is currently a doctoral student with a major in Reading, Language, and Literacy. When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!

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Book Review: The Mary Shelley Club by Goldy Moldavsky

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Review by Katrina Ortega

DESCRIPTION: New girl Rachel Chavez is eager to make a fresh start at Manchester Prep. But as one of the few scholarship kids, Rachel struggles to fit in, and when she gets caught up in a prank gone awry, she ends up with more enemies than friends.

To her surprise, however, the prank attracts the attention of the Mary Shelley Club, a secret club of students with one objective: come up with the scariest prank to orchestrate real fear. But as the pranks escalate, the competition turns cutthroat and takes on a life of its own.

When the tables are turned and someone targets the club itself, Rachel must track down the real-life monster in their midst . . . even if it means finally confronting the dark secrets from her past.

MY TWO CENTS: Last year was a good one for YA thriller and horror novels, but The Mary Shelley Club really stands out as exceptional in their midst. 

First, we’re presented with a solid plot that is very action driven, urging readers to race through this thriller. Goldy Moldavsky pulls the reader in with a plot line that is unique and riveting, keeping us guessing until the very, very end. The main character, Rachel Chavez, avidly watches horror films as a coping mechanism after suffering a traumatic event while at home alone on Long Island. After the event, she and her mom move to Brooklyn to give her a fresh start. In New York City, as an outsider at her new prestigious Manhattan school, Rachel finds herself without an ally — until the pranks begin. Once she’s falsely accused of pranking the most popular girl in school, Rachel finds a group of potential friends in a very unexpected way. This group, who call themselves the Mary Shelley Club, vie against each other to see who can come up with (and implement) the scariest prank, one which will incite real fear. 

It’s very easy to root for Rachel, even though her decisions might seem interesting, or even strange, given her past trauma. You want her to belong to a group that cares about her (though whether TMSC does that or not is debatable); you want to see her come to terms with her trauma (though, again, whether her horror fixation and TMSC do that is not immediately evident). Moldavsky is so good at writing horror, though, that it’s hard not to fall into the traps that horror movies often set up for their protagonists. The cast of characters emphasizes how hard it is to trust our instincts as readers. The four club members, including Rachel, are all mysterious in their own ways. 

I’m not a big fan of reading about pranks, as they often make me exceedingly uncomfortable. However, Moldovsky weaves them in such an integral way into the plot that they do just what good horror should do — make the reader terribly uneasy while making it impossible to look away. With a cast of characters that we cannot quite trust doing awful things to the people around them, readers will fly through this book wondering with a growing sense of foreboding, worried that Rachel is in mounting danger, unsure if she’s going to make it out without becoming a victim herself. The changes in point of view during the pranks also jars the reader with a sense of the unknown; after becoming comfortable with Rachel’s point of view, the flow is thrown into confusion with the sudden introduction of a new narrator. It hammers home the awareness of something awry, but it’s impossible to pinpoint exactly what. Once the reader is sure that they know who to look to for safety, the twist hits. 

The Mary Shelley Club is a truly thrilling read, full of terrifying moments, untrustworthy characters, and tons of horror movie trivia. It’s perfect for any readers who are looking for some hair-raising pranks and a twist like you’ve never seen before.

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ABOUT THE AUTHOR: Goldy Moldavsky was born in Lima, Peru, and grew up in Brooklyn, where she still lives. Her novels include the New York Times bestseller, KILL THE BOY BAND, NO GOOD DEED (Scholastic), and THE MARY SHELLEY CLUB (Henry Holt). Her books have appeared on numerous Best-Books lists and have been translated to other languages. Her love of 80s movies, 90s boy bands, and horror flicks hugely influences her work.

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The paperback of THE MARY SHELLEY CLUB releases 8/30/22. Goldy’s newest book, LORD OF THE FLY FEST also releases on 8/30/22. Here’s the amazing cover:

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ABOUT THE REVIEWER: Katrina Ortega (M.L.I.S.) is the manager of the New York Public Library’s College and Career Pathways program. Originally from El Paso, Texas, she has lived in New York City for six years. She is a strong advocate of continuing education (in all of its forms) and is very interested in learning new ways that public libraries can provide higher education to all. She is also very interested in working with non-traditional communities in the library, particularly incarcerated and homeless populations. While pursuing her own higher education, she received two Bachelors of Arts degrees (in English and in History), a Masters of Arts in English, and a Masters of Library and Information Sciences. Katrina loves reading most anything, but particularly loves literary fiction, YA novels, and any type of graphic novel or comic. In her free time, if she’s not reading, Katrina loves to walk around New York, looking for good places to eat

March 2022 Latinx Releases!

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We are an affiliate with Indiebound and Bookshop. If If you make a purchase through these links, at no additional cost to you, we will earn a small commission.

In addition to listing 2022 titles by/for/about Latinx on our master list, we will remind readers of what’s releasing each month.

CONGRATULATIONS to these Latinx creators. Let’s celebrate these March book babies!

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Cover for Latinitas (Spanish edition)

LATINITAS: Una celebración de 40 soñadoras audaces by Juliet Menéndez (Henry Holt and Co., March 1, 2022). Descubre cómo cuarenta latinas influyentes se convirtieron en las mujeres que hoy celebramos. En esta colección de biografías cortas de personajes de toda América Latina y de Estados Unidos, Juliet Menéndez explora los primeros pasitos con los que estas latinitas iniciaron su camino. Con hermosas ilustraciones, hechas a mano, Menéndez pone en relieve el poder que tienen los sueños de la infancia.

Desde la jueza de la Corte Suprema Sonia Sotomayor hasta la cantante Selena Quintanilla y la primera ingeniera de realidad virtual de la NASA, Evelyn Miralles, este libro aborda figuras que servirán de inspiración a futuras artistas, científicas, activistas y más. Ellas hicieron realidad sus sueños ¡y hasta puede que te alienten a alcanzar los tuyos!

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Cover for Nobody Likes the Easter Bunny

NOBODY LIKES THE EASTER BUNNY by Karen Kilpatrick, illustrated by Germán Blanco (Genius Cat Books, March 1, 2022). Picture Book. When a chick tries to convince a group of kids why nobody likes the Easter Bunny, will it be the chick who learns something in the end? Come along on this imaginative, laugh-out-loud adventure and learn why nobody likes the Easter Bunny (hint: it’s because everybody loves him ).

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Cover for Red Panda & Moon Bear (Book 2)

RED PANDA & MOON BEAR: The Curse of the Evil Eye (Book 2) by Jarod Roselló (Top Shelf Productions, March 1, 2022). Middle Grade Graphic Novel. When an evil curse descends upon the city of Martí, it’s up to Red Panda and Moon Bear to put a stop to it… but it won’t be easy! First, they’ll have to solve weird mysteries, fend off new monsters, and uncover the secret history of their neighborhood. With their trusty dog companions and some magical new friends by their side, Red Panda and Moon Bear must find a way to defeat Mal de Ojo — The Evil Eye — and keep it from ruining the lives of everyone they love!

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Cover for Catalina Incognito

CATALINA INCOGNITO by Jennifer Torres, illustrated by Gladys Jose (Aladdin, March 8, 2022). Chapter Book. Catalina Castaneda is not persnickety, even though that’s what her parents and sister, Coco, like to think. Catalina just likes things the way she likes them—perfect.

That’s why it’s very hard to hide her disappointment when her glamorous Tía Abuela, a famous telenovela actress, gives her an old sewing kit for her eighth birthday. However, Catalina soon discovers the sewing kit isn’t as boring as she thinks—it’s magic, turning ordinary clothing into magical disguises.

When Tía Abuela’s most famous costume has rhinestones stolen from it where it’s being displayed at the local library, Catalina gets to work on creating the perfect disfraz (disguise) to track down the thief. But, as Tía Abuela warned her, the magic is only as strong as her stiches, and Catalina doesn’t always have the patience for practice…

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Cover for The New Friend Fix (Catalina Incognito #2)

THE NEW FRIEND FIX (Catalina Incognito #2) by Jennifer Torres, illustrated by Gladys Jose (Aladdin, March 8, 2022). Chapter Book. Catalina is excited to find out a new student, Esmeralda, has joined her third-grade class at Valle Grande Elementary School. But despite Catalina’s attempts to introduce herself, Esme won’t talk to anyone but her own cousin, Jazmín. Could Jazmín be keeping Esme from making new friends?

According to Catalina’s frenemy Pablo, it’s just like what happened to the secret princess in the telenovela hit The Hidden Crown! With Tía Abuela’s magical sewing kit, Catalina sets out to create a disguise to unravel the mystery.

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Cover for Pablo Neruda

PABLO NERUDA: Poet of the People (bilingual edition) by Monica Brown, illustrated by Julie Paschkis (Henry Holt & Co., March 8, 2022). Picture Book. A new Spanish and English bilingual edition of the stunning picture book biography of Pablo Neruda, one of the world’s most enduring and popular poets, from the acclaimed Monica Brown.

Había una vez un niño llamado Neftalí, quien amaba las cosas salvajes locamente y las cosas tranquilas serenamente. Desde el momento en que aprendió a hablar, se rodeó de palabras. Neftalí descubrió la magia oculta entre las páginas de los libros.

Cuando tenía dieciséis años, comenzó a publicar sus poemas bajo el nombre Pablo Neruda. Pablo escribió poemas sobre las cosas que amaba: obras creadas por sus amigos artistas, objetos hallados en los mercados y elementos de la naturaleza. Escribió sobre la gente de Chile y su lucha por salir adelante. Porque sobre todas las cosas y sobre todas las palabras, Pablo Neruda amaba a la gente.

Once there was a little boy named Neftalí who loved wild things wildly and quiet things quietly. From the moment he could talk, he surrounded himself with words, seeking comfort and inspiration from the magic he discovered between the pages of books.

When he was sixteen, he began publishing his writing as Pablo Neruda. Pablo wrote poems about the things he loved—things made by his friends in the café, things found at the marketplace, and things he saw in nature. He wrote about the people of Chile and their stories of struggle. Because above all things and above all words, Pablo Neruda loved people.

With a new translation of Monica Brown’s lyrical text and Julia Paschkis’ gorgeous art, which celebrates multiple languages, this new edition will introduce the youngest of readers—of English, Spanish, and both—to the legacy of one of history’s most iconic talents.

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Cover for The Lost Dreamer

THE LOST DREAMER by Lizz Huerta (Farrar, Straus and Giroux BYR, March 1, 2022). Young Adult. Indir is a Dreamer, descended from a long line of seers; able to see beyond reality, she carries the rare gift of Dreaming truth. But when the beloved king dies, his son has no respect for this time-honored tradition. King Alcan wants an opportunity to bring the Dreamers to a permanent end—an opportunity Indir will give him if he discovers the two secrets she is struggling to keep. As violent change shakes Indir’s world to its core, she is forced to make an impossible choice: fight for her home or fight to survive.

Saya is a seer, but not a Dreamer—she has never been formally trained. Her mother exploits her daughter’s gift, passing it off as her own as they travel from village to village, never staying in one place too long. Almost as if they’re running from something. Almost as if they’re being hunted. When Saya loses the necklace she’s worn since birth, she discovers that seeing isn’t her only gift—and begins to suspect that everything she knows about her life has been a carefully-constructed lie. As she comes to distrust the only family she’s ever known, Saya will do what she’s never done before, go where she’s never been, and risk it all in the search of answers.

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Cover for Hello, Puddle!

HELLO, PUDDLE! by Anita Sanchez, illustrated by Luisa Uribe (Clarion Books, March 8, 2022). Picture Book. A normal everyday puddle may not seem very special. But for a mother turtle, it might be the perfect place to lay her eggs. For a squirrel, it might be the only spot to cool off and get a drink when the sun is shining down in July. And for any child, it can be a window into the elegant, complex natural world right outside their window.

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Cover for How to Hear the Universe

HOW TO HEAR THE UNIVERSE: Gaby González and the Search for Einstein’s Ripples in Space-Time by Patricia Valdez, illustrated by Sara Palacios. (Knopf Books for Young Readers, March 8, 2022). Picture Book. In 1916, Albert Einstein had a theory. He thought that somewhere out in the universe, there were collisions in space. These collisions could cause little sound waves in the fabric of space-time that might carry many secrets of the distant universe. But it was only a theory. He could not prove it in his lifetime.

Many years later, an immigrant scientist named Gabriela Gonzalez asked the same questions. Armed with modern technology, she joined a team of physicists who set out to prove Einstein’s theory. At first, there was nothing. But then… they heard a sound. Gabriela and her team examined, and measured, and re-measured until they were sure.

Completing the work that Albert Einstein had begun 100 years earlier, Gonzalez broke ground for new space-time research.

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Cover for Lakelore

LAKELORE by Anna-Maria McLemore (Feiwel & Friends, March 8, 2022). Young Adult. Everyone who lives near the lake knows the stories about the world underneath it, an ethereal landscape rumored to be half-air, half-water. But Bastián Silvano and Lore Garcia are the only ones who’ve been there. Bastián grew up both above the lake and in the otherworldly space beneath it. Lore’s only seen the world under the lake once, but that one encounter changed their life and their fate.

Then the lines between air and water begin to blur. The world under the lake drifts above the surface. If Bastián and Lore don’t want it bringing their secrets to the surface with it, they have to stop it, and to do that, they have to work together. There’s just one problem: Bastián and Lore haven’t spoken in seven years, and working together means trusting each other with the very things they’re trying to hide.

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Cover for Falling Short

FALLING SHORT by Ernesto Cisneros (Quill Tree Books, March 15, 2022). Middle Grade. Isaac and Marco already know sixth grade is going to change their lives. But it won’t change things at home—not without each other’s help.

This year, star basketball player Isaac plans on finally keeping up with his schoolwork. Better grades will surely stop Isaac’s parents from arguing all the time. Meanwhile, straight-A Marco vows on finally winning his father’s approval by earning a spot on the school’s basketball team.

But will their friendship and support for each other be enough to keep the two boys from falling short?

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Cover for Isla to Island

ISLA TO ISLAND by Alexis Castellanos (Atheneum Books for Young Readers, March 15, 2022). Graphic Novel. Marisol loves her colorful island home. Cuba is vibrant with flowers and food and people…but things are changing. The home Marisol loves is no longer safe—and then it’s no longer her home at all. Her parents are sending her to the United States. Alone.

Nothing about Marisol’s new life in cold, gray Brooklyn feels like home—not the language, school, or even her foster parents. But Marisol starts to realize that home isn’t always a place. And finding her way can be as simple as staying true to herself.

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Cover for Just Try One Bite

JUST TRY ONE BITE by Adam Mansbach and Camila Alves McConaughey, illustrated by Mike Boldt (Dial Books, March 22, 2022). Picture Book. These three kids are determined to get their parents to put down the ice cream, cake, and chicken fried steak to just try one bite of healthy whole foods. But it’s harder than it looks when these over-the-top gagging, picky parents refuse to give things like broccoli and kale a chance. Kids will love the jaunty rhyme that’s begging to be read aloud and the opportunity to be way smarter—and healthier—than their parents.

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PRUETT AND SOO by Nancy Viau, illustrated by Jorge Lacera. (Two Lions, March 22, 2022). Picture Book. Pruett is from Planet Monochrome, where everything is black, white, or gray; everyone follows the rules and walks in straight lines; and they never, ever ask or answer questions. But then Soo arrives from Planet Prismatic. She’s bursting with brilliant colors She zigs and zags all over the place When she asks Pruett questions, he finds he wants to reply…and his whole world starts to change.

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Cover for Goldie's Guide to Grandchilding

GOLDIE’S GUIDE TO GRANDCHILDING by Clint McElroy, illustrated by Eliza Kinkz. (First Second, March 29, 2022). Picture Book. Little Goldie is an expert on grandchilding. She knows that grandparents are special creatures who thrive in a structured environment, need plenty of opportunities for imaginative play, love having dance parties, and will never turn down a cuddle. When it comes to the care and feeding of her beloved Grandpa, Goldie knows her stuff. And, as readers will discover, Grandpa knows a thing or two about grandchildren, too.

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Cover for I'll Go and Come Back

I’LL GO AND COME BACK by Rajani LaRocca, illustrated by Sara Palacios. (Candlewick, March 29, 2022). Picture Book. When Jyoti visits her grandmother halfway around the world, she is overwhelmed by the differences between India and home. At first she feels lonely and out of place, but soon, despite a language barrier, she and Sita Pati are able to understand each other. They form a bond—looking at books together, making designs with colored sand, shopping at the market, playing games, eating chapatis, and sipping warm milk with saffron to bring sweet dreams. When it’s time to part, Jyoti doesn’t want to leave, but then she remembers that in Tamil, people don’t say goodbye, they say “I’ll go and come back.” Sure enough, the two reunite the next summer when Pati visits Jyoti in America, and it’s Jyoti’s turn to make her grandmother feel welcome. Can they create some special memories that will last until the next time they see each other?

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Cover for My Nap, Mi Siesta

MY NAP, MY SIESTA: A Coco Rocho Book (World of Vamos!) by Raúl the Third. (Versify, March 29, 2022). Board book.

In my bed. En mi cama.
Near my dog. Cerca de mi perro.
With my stuffed animals. Con mi peluches.

Explore all the places Coco Rocho finds to sleep in this bilingual board book by Pura Belpré Honor–winning Raúl the Third. Sweet dreams! ¡Suenos dulces!

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Cover for My Party, Mi Fiesta

MY PARTY, MI FIESTA: A Coco Rocho Book (World of Vamos!) by Raúl the Third. (Versify, March 29, 2022). Board book. Throwing a party is always fun, especially when it’s in both English and Spanish! In this new board book by Pura Belpré Honor–winning Raúl the Third, young readers are introduced to Spanish vocabulary through all the fun of a party.

Friends, cake, music—amigos, pastel, musica—join Coco Rocho and all his companions at this joyful fiesta!

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Book Review: Thirty Talks Weird Love by Alessandra Narváez Varela

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Review by Katrina Ortega

Cover for Thirty Talks Weird Love

DESCRIPTION (from Goodreads): Out of nowhere, a lady comes up to Anamaría and says she’s her, from the future. But Anamaría’s thirteen, she knows better than to talk to some weirdo stranger. Girls need to be careful, especially in Ciudad Juárez, Mexico—it’s the 90’s and fear is overtaking her beloved city as cases of kidnapped girls and women become alarmingly common. This thirty-year-old “future” lady doesn’t seem to be dangerous but she won’t stop bothering her, switching between cheesy Hallmark advice about being kind to yourself, and some mysterious talk about saving a girl.

Anamaría definitely doesn’t need any saving, she’s doing just fine. She works hard at her strict, grade-obsessed middle school—so hard that she hardly gets any sleep; so hard that the stress makes her snap not just at mean girls but even her own (few) friends; so hard that when she does sleep she dreams about dying—but she just wants to do the best she can so she can grow up to be successful. Maybe Thirty’s right, maybe she’s not supposed to be so exhausted with her life, but how can she ask for help when her city is mourning the much bigger tragedy of its stolen girls?

This thought-provoking, moving verse novel will lead adult and young adult readers alike to vital discussions on important topics—like dealing with depression and how to recognize this in yourself and others—through the accessible voice of a thirteen-year-old girl. 

MY TWO CENTS: I’m always a proponent for books that take place in settings of which I’m familiar. Growing up in El Paso in the 90s, just across the international border from Ciudad Juárez, I found myself sucked into a world that I remember all too well while reading this. Narváez Varela paints a picture of the turn of the century border city with such precision, it felt like memory. The great thing is that, while I recognize and can envision what Anamaría sees when she’s at school, and I can hear and see what music she’s listening to and what TV she’s watching, teens today will also be able to relate. They’ll be able to see familiar faces in the students that Anamaría goes to school with, relate to her struggles with school and with her family, might recognize her grappling with mental illness threatening to take over her life, and might possibly understand what it’s like to live in a reality where one’s own life and well-being feels constantly threatened. 

Violence against women is not a new social ill throughout the Americas, as is evident in this book. Centering the femicides that happened in Ciudad Juárez in the 1990s-2000s as part of this story helps connect the extreme violence that plagued the community in that era with what continues to be the case today in many areas around the Americas. It also helps to show readers how much of an impact her environment has on Anamaría , which is unfortunately something that teens still have to manage today. 

Additionally, the focus on Anamaría’s mental health is one of the standout components of this book and something that many readers, regardless of age, will recognize. The depression she’s dealing with as a result of her environment and the state of her community is something that will resonate with many teens today. Her obsession with being the top student in her class, her inability to sleep, and her suicidal thoughts are all things that many teens deal with, even though it’s just as unhealthy now as it was in the late 1990s. Readers, particularly teens, may find themselves easily identifying with Anamaría’s situation and her frame of mind: she wants to please her parents, wants to be the best version of herself, and wants to win.

The use of a “mentor” like Thirty is an excellent device because it shows Anamaría (and readers) a future that is hopeful–one where the decisions that she makes today don’t cease her existence, but instead create a new timeline that allows a wiser version of herself to show her all of the possibilities her future holds. The mentorship that Thirty offers to Anamaría prompts her to rethink her priorities, open up to her parents, begin to reflect on why she does what she does, and start healing herself by making choices that will improve her mental health, rather than sacrifice it for the sake of others. 

As a debut novelist, Narváez Varela does an incredible job of putting her verses together, so that they tell a clear narrative while also enticing the reader with beautiful language. Exposure to different kinds of poetry can be a wonderful introduction to literature for all readers, but is especially so for hesitant readers. Mixing both English and Spanish together in her verses will help any reader see the poeticism of the border language spoken in areas like Ciudad Juárez/El Paso, and Narváez Varela combines them in a way that is clear enough for any reader to understand. 

Finally, there was a perfect balance of reality and magic realism woven throughout this novel. Thirty’s character, a visitor from the future who is there to try to change Anamaría’s point of view (thereby changing the actions that she takes), is a believable one. She appears to be the same as any person on the street that Anamaría sees every day, rather than some mystical outsider. She gets along with people in Anamaría’s life, and pops into her daily routine sparsely to give her more bits of the story from the future or nuggets of advice. The steadiness of her presence seems to bolster Anamaría throughout, and really makes the entire thing perfectly believable for the reader. 

Thirty Talks Weird Love was a powerful read that will resonate with readers of all ages. 

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ABOUT THE AUTHOR: Alessandra Narváez Varela is a poet and teacher born and raised in Ciudad Juárez, México. 

Her first book, Thirty Talks Weird Love, a young-adult novel in verse, was published on November 2, 2021 by Cinco Puntos Press, an imprint of Lee and Low Books. The audiobook, narrated by the author, was released by Listening Library on the same date.

She has published her poetry in Poets.org, Huizache, Acentos Review, Duende, The Normal School and TAYO. She was featured in “Seeking a Voice, Via a Bilingual M.F.A., in Writing and in Life,” an article in the New York Times Education Life section, where she spoke of her experience as a bilingual poet who writes mostly in English, instead of Spanish, her native tongue. Her, a chapbook, was published by the University of Houston, the Department of Hispanic Studies.

She holds an MFA in Creative Writing from the University of Texas at El Paso, where she is now a lecturer.

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ABOUT THE REVIEWER: Katrina Ortega (M.L.I.S.) is the manager of the New York Public Library’s College and Career Pathways program. Originally from El Paso, Texas, she has lived in New York City for six years. She is a strong advocate of continuing education (in all of its forms) and is very interested in learning new ways that public libraries can provide higher education to all. She is also very interested in working with non-traditional communities in the library, particularly incarcerated and homeless populations. While pursuing her own higher education, she received two Bachelors of Arts degrees (in English and in History), a Masters of Arts in English, and a Masters of Library and Information Sciences. Katrina loves reading most anything, but particularly loves literary fiction, YA novels, and any type of graphic novel or comic. In her free time, if she’s not reading, Katrina loves to walk around New York, looking for good places to eat.

Book Talk: Octopus Stew by Eric Velasquez

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We are an affiliate with Indiebound and Bookshop. If If you make a purchase through these links, at no additional cost to you, we will earn a small commission.

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Welcome to another Book Talk, which can be found on our new YouTube channel!

ABOUT THE BOOK: The octopus Grandma is cooking has grown to titanic proportions. “¡Tenga cuidado!” Ramsey shouts. “Be careful!” But it’s too late. The octopus traps Grandma!

Ramsey uses both art and intellect to free his beloved abuela.

Then the story takes a surprising twist. And it can be read two ways. Open the fold-out pages to find Ramsey telling a story to his family. Keep the pages folded, and Ramsey’s octopus adventure is real.

This beautifully illustrated picture book, drawn from the author’s childhood memories, celebrates creativity, heroism, family, grandmothers, grandsons, Puerto Rican food, Latinx culture, and more.

With an author’s note and the Velasquez family recipe for Octopus Stew!

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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.

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Dora Guzmán is a bilingual reading specialist for grades K-5 and also teaches college courses in Children’s Literature and Teaching Beginning Literacy. She is currently a doctoral student with a major in Reading, Language, and Literacy. When she is not sharing her love of reading with her students, you can find her in the nearest library, bookstore, or online, finding more great reads to add to her never-ending “to read” pile!

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Spotlight on Latinx Illustrators: Sharon Sordo, Tatiana Gardel, Luciana Navarro Powell

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By Cecilia Cackley

This is the twelfth in a series of posts spotlighting Latinx illustrators of picture books. Some of these artists have been creating children’s books for many years, while others will have their first book out soon. They come from many different cultural backgrounds, but all are passionate about connecting with readers through art and story. Please look for their books at bookstores and libraries!

Sharon Sordo is an illustrator, cat hugger, and expert soup maker. As a Mexican girl growing up in the United States, Sharon found it difficult to relate to the many characters in children’s books that were available. Since then, she strives to represent different cultural backgrounds through her art. She lives in San Diego, California with her husband and cat.

Q: What or who inspired you to become an artist?

A: The magical way a story book can transport you into a new world through colorful illustrations captured my imagination as a young child. This is what inspired me to become an artist. Sharing my own stories and drawings with the people I love and igniting a sense of wonder in them, this is what will inspire me to do it forever. 

Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc. 

A: Through digital art, I have all of the traditional mediums at my disposal without the clean up and I can erase with ease. I don’t need a huge studio to store canvases and stinky oil paints, my pigments will never dry up, and sharing my art with the world and clients is amazingly simple. Drawing and painting in Adobe Photoshop along with my Wacom Cintiq, has made art more fun and stress free. One minute, I can try pastels, layer some watercolor on top, and finish it off with ink, never worrying about how these mediums will interact. I was introduced to digital art in college. It was there that I learned the basics. I’ve since continued to learn about different softwares for producing art and eventually landed on Adobe Photoshop as the most versatile and user friendly. I still dabble in traditional art, mainly ink and colored pencil, but I don’t think I will be illustrating children’s books this way anytime soon!

Q: Please finish this sentence: “Picture books are important because…”

A: Picture books are important because they allow children to escape into different worlds and adults to keep our inner children alive and happy. We can learn great lessons from the stories we read and share. Also, we all get to own a piece of unique and original art.

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Tatiana Gardel is a Brazilian illustrator and teaching artist based in New York City. She started her career in fine art, and while exploring other ways to express her creativity, she found a passion for storytelling and illustration. Tatiana co-founded #LatinxPitch and is a member of the Black Creators in KidLit. Her work has been recognized by the Society of Illustrators in New York and American Illustration.

She is the illustrator of the upcoming books Xavier’s Voice, written by Ashley Franklin (Innovation Press, 2023) and Painting the Sky with Love, written by Mary Baca Haque (Feiwel and Friends, 2023).

Q: What or who inspired you to become an artist?

 A: My grandfather had a passion for drawing and was the one to encourage me to draw when I was a child. I also grew up watching lots of cartoons, animes, reading comics, mangas, and playing video games. All of that sparked my interest in creating art and imagining stories. But it wasn’t until I was much older that I learned I could have a career as a professional artist.  

Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc. 

 A: I’m a traditional artist who transitioned to making digital art. In the past 2 years, I went from scanning and adjusting images to mixing up techniques to working fully digitally. This was an organic process and my goal was to mimic my traditional pieces. I really enjoy the freedom of working with this medium, how you can combine and explore possibilities without having to recreate the whole image. My portfolio is a blend of traditional, mixed media, and digital artwork.  

Q: Please finish this sentence: “Picture books are important because…”

 A: Picture books are important because they are a gateway to imagination, knowledge, empathy and connection.

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Luciana Navarro Powell is an artist living in San Diego, California, with her husband and two children. She has illustrated many children’s books over the years and has now started writing them as well. Her first two as both author and illustrator are My Dad Is the Best Playground and My Mom Is the Best Circus.

Q: What or who inspired you to become an artist?

A: There was not a single event or artist in particular that inspired me. Ever since I can remember myself as a child I was always drawing and reading, so storytelling through drawing evolved in an organic way. My father is an architect and I remember watching him sketching and marveling over beautiful architectural renderings, so I am sure that played a part as well. When it was time for me to go to college, there wasn’t a school that offered an Illustration major where I lived. I graduated with a degree in Industrial Design, which I enjoyed a lot and it had some classes that offered a good foundation for Illustration. I worked as a designer for a few years while I freelanced doing illustration projects. Eventually I circled back to become a full-time illustrator.

Q: Tell us something about your favorite artistic medium–why you like it, when you first learned it, etc.

A: I worked in a variety of analog media in the beginning of my career – acrylics, color pencils, printmaking;  but most often watercolor and pen and ink for black and white illustrations. When Photoshop came into the picture for me, it was a perfect way to integrate traditional media and digital art. My favorite artistic medium is mixed media, I used analog painted bits mixed with digital brushes. If I work on a book, the final art phase will usually last for about 3 months – when I finish it I usually take a few days off the computer by doing some analog-only projects on the side. Lately I have also enjoyed immensely doing sidewalk chalk art around my neighborhood and also plein-air painting with watercolor whenever I travel. You can check all these side projects at my Instagram account, @lucianaillustration !

Q: Please finish this sentence: “Picture books are important because…”

A: …they offer a merger of imagery and language that will be an essential building block for a child life-long love of reading!

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Cecilia Cackley is a Mexican-American playwright and puppeteer based in Washington, DC. A longtime bookseller, she is currently the Children’s/YA buyer and event coordinator for East City Bookshop on Capitol Hill. Find out more about her art at www.ceciliacackley.com or follow her on Twitter @citymousedc