Celebrating 25 Years of the Pura Belpré Award: A Conversation with Guadalupe García McCall and Yamile Saied Méndez

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The Pura Belpré Award is named after Pura Belpré, the first Latina librarian at the New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latinx writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth.

We have been marking the award’s 25th anniversary in different ways on the blog. Today, Dr. Sonia Rodriguez and Cecilia Cackley talk with Guadalupe García McCall and Yamile Saied Méndez.

Photo by Michael Mercado Smith

Guadalupe García McCall is a young adult novelist, educator, poet, and speaker. Born in Piedras Negras, Coahuila, Mexico, she immigrated with her close-knit family to Eagle Pass, Texas (the setting for most of her poems and some of her novels) when she was six years old.

Guadalupe is the author of Under the Mesquite (MG, Lee & Low Books, 2011), an autobiographical novel in verse based on her family’s difficult times, struggling with loss and grief during her teenage years. Her second novel, Summer of the Mariposas (MG, Tu Books, an imprint of Lee & Low Books, 2012), is a magical retelling of the Odyssey starring five Mexican-American sisters and featuring monsters and legendary characters from Mexican mythology.

Guadalupe’s third novel, Shame the Stars (YA, Tu Books, an imprint of Lee & Low Books, 2016), is a historical reimagining of Shakespeare’s Romeo and Juliet set during the tumultuous times at the turn of the century known as La Matanza (the slaughter/genocide). Her latest book, All the Stars Denied (YA, Tu Books, an imprint of Lee & Low Books, 2018) is a companion novel to Shame the Stars and illustrates the struggles of the del Toro family 16 years later, during the 1930’s repatriation of more than a million Mexican and Mexican-Americans, 600,000 of which were US citizens.

Guadalupe’s fifth novel, The Keeper, a MG Horror/Mystery about a boy who receives increasingly threatening letters from a stranger who calls himself “the Keeper” will be available from Harper Collins on January 25, 2022, and her sixth novel, Echoes of Grace, a YA gothic set on the US/Mexico borderlands which explores the nature of sisterhood, family secrets, sexual crimes against women, and femicide is forthcoming from Tu Books, an imprint of Lee & Low Books, in the Fall of 2022.

Guadalupe travels all over the country speaking to students and adults on topics of importance to the Latine community. She is an advocate for literacy and diverse books. In her travels, she is always looking for a good taco place and she never met a chocolate mole sauce she didn’t love! She loves to garden, cook, read, write, walk, and take pictures of nature. Though she keeps a home in Texas, she is currently an Assistant Professor of English at George Fox University and lives with her husband in the Pacific Northwest most of the year.

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YAMILE SAIED MÉNDEZ is a fútbol-obsessed Argentine-American Pura Belpré gold medal winning author. She lives in Utah with her Puerto Rican husband and their five kids, two adorable dogs, and one majestic cat. An inaugural Walter Dean Myers Grant recipient, she’s also a graduate of Voices of Our Nations (VONA) and the Vermont College of Fine Arts MFA Writing for Children’s and Young Adult program. She writes picture books, middle grade, young adult and adult romance fiction. Yamile is a founding member of Las Musas, the first collective of women and nonbinary Latinx MG and YA authors. She’s represented by Linda Camacho at Gallt & Zacker Literary.

Her novel Furia won the 2021 Pura Belpré Award.

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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader.

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Cecilia Cackley is a Mexican-American playwright and puppeteer based in Washington, DC. A longtime bookseller, she is currently the Children’s/YA buyer and event coordinator for East City Bookshop on Capitol Hill. Find out more about her art at www.ceciliacackley.com or follow her on Twitter @citymousedc

Celebrating 25 Years of the Pura Belpré Award: A Conversation with Meg Medina and Jenny Torres Sanchez

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We are an affiliate with Indiebound and Bookshop. If If you make a purchase through these links, at no additional cost to you, we will earn a small commission.

The Pura Belpré Award is named after Pura Belpré, the first Latina librarian at the New York Public Library. The Pura Belpré Award, established in 1996, is presented annually to a Latinx writer and illustrator whose work best portrays, affirms, and celebrates the Latino cultural experience in an outstanding work of literature for children and youth.

We have been marking the award’s 25th anniversary in different ways on the blog. Today, Dr. Sonia Rodriguez and Cecilia Cackley talk with Meg Medina and Jenny Torres Sanchez.

Photo credit: Sonya Sones
Photo by Sonya Sones

MEG MEDINA is a Newbery award-winning and New York Times best-selling author who writes picture books, as well as middle grade and young adult fiction. Her works have been called “heartbreaking,” “lyrical” and “must haves for every collection.” She lives with her family in Richmond, Va.

Meg won the 2014 Pura Belpré Award for Yaqui Delgado Wants to Kick Your Ass.

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JENNY TORRES SANCHEZ is a full-time writer and former English teacher. She was born in Brooklyn, New York, but has lived on the border of two worlds her whole life. She lives in Orlando, Florida, with her husband and children.

Jenny won a 2021 Pura Belpré Honor Award for We Are Not From Here.

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Sonia Alejandra Rodriguez, PhD is an Associate Professor of English at LaGuardia Community College (CUNY) where she teaches composition, literature, and creative writing. Her academic research focuses on decolonial healing in Latinx children’s and young adult literature. Sonia is a Mellon Emerging Faculty Leader..

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Cecilia Cackley is a Mexican-American playwright and puppeteer based in Washington, DC. A longtime bookseller, she is currently the Children’s/YA buyer and event coordinator for East City Bookshop on Capitol Hill. Find out more about her art at www.ceciliacackley.com or follow her on Twitter @citymousedc

Guest Post: Margarita Longoria, editor of Living Beyond Borders: Growing Up Mexican in America

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By Margarita Longoria

I want to thank Latinxs in Kid Lit for giving me an opportunity to talk about my anthology Living Beyond Borders: Growing Up Mexican in America with you!

I am Margarita Longoria, and I am the editor of a YA Anthology called Living Beyond Borders: Mexican in America, a mixed media collection of 20 short stories, poems, essays & more from celebrated and award-winning authors that explores the Mexican American experience.

This collection is very special and important to me, and I am honored and humbled to be able to share it with you all August 17, 2021. The idea of this book was born a few years ago, when my news feed was being bombarded with hate speech about Mexican people. I was upset and wanted to lash back. As a former English teacher, a librarian, and a lover of words, I decided the best way to do this should be with words. I felt beautiful words, hopeful words, and truthful words about our culture would counteract all the hateful words that were coming our way. Afterall, words and books bring people together. I am a firm believer that if you do not understand something, you should read about it. People are often misinformed about many serious issues, and, if given the opportunity to walk in someone else’s shoes, even through the pages of a book, you can begin to understand others. Before we judge, before we hate, before we form ideas about something we know nothing about, it is important to be informed. Books give you that power. I wanted to give that power to those who needed a window into our community and a mirror to those to be proud of who they are and where they come from. I reached out to several writers in the Mexican American community who agreed to take this journey with me, and I set my sights on a carefully curated anthology that would represent the culture we love. It is a dream come true and a privilege to give this book to you. I hope you enjoy this work of heart.

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The authors represented in the anthology are: Francisco X. Stork, Guadalupe Garcia McCall, David Bowles, Rubén Degollado, e.E. Charlton-Trujillo, Diana López, Xavier Garza, Trinidad Gonzales, Alex Temblador, Aida Salazar, Guadalupe Ruiz-Flores, Sylvia Sánchez Garza, Dominic Carrillo, Angela Cervantes, Carolyn Dee Flores, René Saldaña Jr., Justine Narro, Daniel García Ordáz, and Anna Meriano.

Justine Narro

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ABOUT THE EDITOR: Margarita Longoria is a lifelong bookworm, book blogger, and an award-winning high school librarian in South Texas. She is the founder of Border Book Bash: Celebrating Teens and Tweens of the Rio Grande Valley and served on state reading committees for the Texas Library Association. She is the editor of LIVING BEYOND BORDERS: GROWING UP MEXICAN IN AMERICA, a mixed-media collection of short stories, personal essays, poetry, and comics, that is a hopeful love letter from the Mexican American community to today’s young readers. She holds a BA and an MA in English and an MLS in Library Science. She is passionate about diverse books, her two sons, coffee, and Mr. Darcy. She grew up in Edinburg, Texas, and lives with her family in the Rio Grande Valley. You can visit Margie online at margiesmustreads.com and follow her on Instagram at @MargiesMustReads.

Book Review: The Hazards of Love Vol. 1: The Bright World by Stan Stanley

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Review by Katrina Ortega

Cover for The Hazards of Love Vol. 1

DESCRIPTION OF THE BOOK: The Hazards of Love follows the story of a queer teen from Queens who makes some mistakes, gets dragged into a fantastical place, and tries to hustle their way back home.

Amparo’s deal with the talking cat was simple: a drop of blood and Amparo’s name to become a better person. Their mother and abuela would never worry about them again, and they’d finally be worthy of dating straight-A student Iolanthe. But when the cat steals their body, becoming the better person they were promised, Amparo’s spirit is imprisoned in a land of terrifying, flesh-hungry creatures known as Bright World.

With cruel and manipulative masters and a society that feeds on memories, Amparo must use their cleverness to escape, without turning into a monster like the rest. On “the other side,” Iolanthe begins to suspect the new Amparo has a secret, and after the cat in disguise vanishes, she’s left searching for answers with a no-nonsense medium from the lesbian mafia and the only person who might know the truth about Bright World.

MY TWO CENTS: Stan Stanley’s The Hazards of Love Vol. 1: The Bright World caught me totally off guard. Based on the cover, I was expecting a cute (and fantastical) love story, but I got so much more than that.

First, the artwork in this graphic novel was extraordinarily captivating. It almost felt startling at first–the colors were so strong and dramatic, and the weight of the lines was so bold. But the style, which, I believe, was intentionally done in a way that strengthened the Latinx feel of the story, quickly grew on me. The artwork also adds an air of mystery to the story itself. 

The Bright World–an alternate and fantastical universe–is brought to life through Stanley’s artwork. It is a complex world clarified through brightly (pun intended) colored illustrations and sharp, heavy black outline. The vividness of the color helps differentiate which world the story is taking place in (which is helpful, as the story line switches between present day Queens, New York, and the Bright World), and highlights the Latinidad of the storyline, reminding me of the brightness that one might see at a feria or fiesta in Mexico. Both the characters and the places in the Bright World could be mistaken for belonging in a Mexican folklore picture book. 

The story, however, is definitely not one for a picture book! The artwork appeals to young adult readers, and the story itself is definitely not one for kids. The characters of this story are well developed (and some of them are downright creepy), the world is intricate with a very detailed history of its own, and the plot is enticing while often being thrilling and suspenseful. 

Amparo, our queer, non-binary main character, is a feisty high schooler when the story begins. Through the betrayal of a mysterious cat, they find their body stolen and are thrust into a mysterious, fantastical world where their life is on the line, with no corporeal body and they’re unsure that they’ll ever find their way back home. Amparo’s experience in the Bright World is terrifying, but shows how cunning and sharp they are as a character, and how dedicated they are to returning to their real world love, Iolanthe, even if that means making a deal with a metaphorical devil and risking any hope they have of survival. All in all, The Hazards of Love Vol 1 was a delightfully fanciful way to begin this series and I’m excitedly awaiting the next volume!

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Stan Stanley

ABOUT THE AUTHOR: (via Simon and Schuster):  Stan Stanley makes comics that are sometimes creepy, sometimes funny, but always queer. She’s been making comics since she was in high school and has continued doing so throughout various science-related careers when she was supposed to be doing science. Instead, she created Friendly Hostility, The Hazards of Love, and her online journal comic, Stananigans. The Hazards of Love is heavily influenced by the ephemera of the Mexico in which Stan grew up, though she now finds herself in NYC among a lovely crew of weirdos. She lives with her spouse, a large cat, and a larger collection of bones.

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ABOUT THE REVIEWER: Katrina Ortega (M.L.I.S.) is the manager of the New York Public Library’s College and Career Pathways program. Originally from El Paso, Texas, she has lived in New York City for six years. She is a strong advocate of continuing education (in all of its forms) and is very interested in learning new ways that public libraries can provide higher education to all. She is also very interested in working with non-traditional communities in the library, particularly incarcerated and homeless populations. While pursuing her own higher education, she received two Bachelors of Arts degrees (in English and in History), a Masters of Arts in English, and a Masters of Library and Information Sciences. Katrina loves reading most anything, but particularly loves literary fiction, YA novels, and any type of graphic novel or comic. In her free time, if she’s not reading, Katrina loves to walk around New York, looking for good places to eat.

Book Talk: Anna-Marie McLemore’s Books

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Welcome to our first Book Talk, which can be found on our YouTube channel! Here, Dr. Cris Rhodes and Dr. Sonia Rodriguez talk about the body of work created by Anna-Marie McLemore. Click on the link to watch the book talk and then add your comments below to join the conversation. ENJOY!

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Book Review: Miss Meteor by Anna-Marie McLemore and Tehlor Kay Mejia

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Review by Dr. Cris Rhodes

DESCRIPTION OF THE BOOK: There hasn’t been a winner of the Miss Meteor beauty pageant who looks like Lita Perez or Chicky Quintanilla in all its history.

But that’s not the only reason Lita wants to enter the contest, or her ex-best friend Chicky wants to help her. The road to becoming Miss Meteor isn’t about being perfect; it’s about sharing who you are with the world—and loving the parts of yourself no one else understands.

So to pull off the unlikeliest underdog story in pageant history, Lita and Chicky are going to have to forget the past and imagine a future where girls like them are more than enough—they are everything.

MY TWO CENTS: Born from a magical collaboration between Tehlor Kay Mejia and Anna-Marie McLemore, Miss Meteor follows the rekindled friendship between Lita Perez and Chicky Quintanilla as Lita, who has an urgent and extraterrestrial secret, decides to spend her final days on earth entering the Miss Meteor pageant. In the opening chapter, Lita tells the reader, “I don’t remember the moment I turned from star-stuff thrown off a meteor into a girl,” but her corporeal body is slowly deteriorating, leaving her “turning back into the stardust [she] once was” (1, 6). Lita explains that this isn’t the beginning of losing herself; in fact that process started years before when her friendship with Chicky Quintanilla deteriorated. Chicky, for her part, is an anomaly in her family–nothing like her boisterous sisters, Chicky prefers no makeup and keeping to the margins. But, as Lita’s body increasingly returns to stardust, she resolves to enter the pageant and to enlist Chicky to manage her success. 

If Miss Meteor were just to follow the rekindled friendship between Lita and Chicky, it would be an uplifting and touching story–but add in Mejia and McLemore’s characteristic magic and intrigue, it is an out of this world adventure. Lita’s literal otherworldliness is well-tempered by her somewhat geeky love of cacti and her clumsiness. Chicky’s rebellion is grounded by her devotion to her family’s struggling restaurant, “Selena’s,” named for the Tejana superstar who shares their last name (and a woman whom Chicky, despite her standoffish exterior, secretly idolizes). Together, Chicky and Lita’s campaign to climb to the top of the pageant allows each to excavate the parts of themselves they had long buried. Confronting the realities of their failures and shortcomings allows them to grow individually and together. 

As the great Selena Quintanilla once said, “if you have a dream, don’t let anybody take it away. And you always believe that the impossible is always possible.” This wisdom holds true for Miss Meteor, as Chicky and Lita defy the odds throughout the book. In alternating chapters, the two narrate their story of overcoming and the power of friendship. The text itself is relatively accessible, in keeping with both Mejia and McLemore’s traditionally immersive prose. While the pace is sometimes a bit slow, I was always invested in the characters and their pursuits. Further, the normalized queer content of the book is something that I have found to be a key part of Mejia’s and McLemore’s oeuvres. 

Tehlor Kay Mejia exploded onto the Latinx literature scene with her We Set the Dark on Fire series and Anna-Marie McLemore’s opulent books like When the Moon was Ours have been captivating readers for years. So, then, a collaboration between the two clearly sparks magic. Co-authored books like Miss Meteor run the risk of sounding too disparate, not cohering the dual narratives. While it is clear that Chicky belongs to Mejia and Lita is McLemore’s, the two blend well together. Chicky’s attitude and personality are emblematic of the gritty and industrious characters in Mejia’s other books. Likewise, Lita’s supernaturality and light share McLemore’s trademark magical realism. The balance in the narrative was equal between the two, and I was invested in both Chicky and Lita. Both characters were equally intriguing and I can see readers developing an affinity for either depending on their own personality and interests. Overall, Miss Meteor is a beautiful book, a fun read, and a shining addition to Mejia and McLemore’s bibliographies.

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Cris Rhodes is an assistant professor of English at Shippensburg University of Pennsylvania. She teaches courses of writing, culturally diverse literature, and ethnic literatures. In addition to teaching, Cris’s scholarship focuses on Latinx youth and their literature or related media. She also has a particular scholarly interest in activism and the ways that young Latinxs advocate for themselves and their communities.