Book Review: Tortilla Sun by Jennifer Cervantes

By Kimberly Mach

7175992DESCRIPTION FROM THE BOOK JACKET: When twelve-year-old Izzy discovers a beat-up baseball marked with the partially obscured phrase “Because… magic,” she is determined to figure out the missing words. Could her father have written them? What secrets does this old ball have to tell? Her mom certainly isn’t sharing any – especially when it comes to Izzy’s father, who died before she was born.

But when Izzy spends the summer in her Nana’s remote New Mexico village, she discovers long-buried secrets that come alive in an enchanted landscape of majestic mountains , whispering winds, and tortilla suns. Izzy finds herself on an adventure to connect the hidden pieces of her past. And just maybe she will discover the missing words that could change her life forever…but only is she can learn to create a few words of her own.

MY TWO CENTS: Tortilla Sun by Jennifer Cervantes is a perfect middle grade novel. It is well-constructed, has all the required pieces, and that little extra something that keeps you thinking about the story long after you’ve read it.  It is a book I am looking forward to sharing with my grade six students in a book talk.

What I loved most were the surprising elements, the pieces I didn’t expect. I didn’t expect to meet a master storyteller as a character. Socorro, almost mythic in description, appears and guides both Izzy and the members of the village with her wisdom and tales of the people. In fact, she helps Izzy, an aspiring writer, find her way to write and finish the stories she’s been struggling with. With Socorro’s guidance and the help of Nana and her new friends, Izzy is able to find her own cuento, or story. The characters are as rich and varied as village life, like the members of a large family. In fact, one of my favorite scenes is when six of the characters, ranging in age from Nana to young Maggie, play baseball together. Mrs. Castillo with her shiny nails surprises them all and hits a homerun.

I didn’t expect to find the essence of baseball in here either–the magic and lore, the homerun, and those bits that capture our imagination. The story starts with Izzy finding an old baseball.  She is certain it belonged to her father. Every stitch in that baseball is a thread of her story, of her cuento. In that story, there is healing and forgiveness, and it is one of the pieces that stayed with me long after the first read.

Finally, I didn’t expect to come away craving empanadas. When Izzy took her first bite my mouth started watering. Cervantes is expert at describing the smells of cooking and giving us the taste for many Mexican-American dishes through Izzy’s first experience with them. She even includes at the end a recipe for her own Nana’s tortillas, a recipe pulled from her own family history.

Jennifer Cervantes creates characters in Tortilla Sun that move into your heart and stay there. I want to go to Nana’s. I want to run my fingers over the Saltillo mosaic tiled floors and smell the snap and sizzle of the tortillas cooking. I want to run down the same path that Izzy and Mateo took, and then I want to come back and sleep in that hammock. It is hard to believe this is a debut novel. Nana, Izzy’s grandmother, tells her at one point, “Sometimes you can’t see the magic; you just know it’s there because you can feel it.” That is the way I feel about this MG novel. Each time I see it on my shelf, I remember the characters, the sounds, and the smells. You can feel the magic in this story, that certain something that brings it all to life. I look forward to reading Jennifer Cervantes’ next novel, and I hope there will be many more.

TEACHING TIPS: Jennifer Cervantes provides discussion questions for Tortilla Sun on her website. Also, I see mostly social studies connections here and opportunities for interdisciplinary learning.

Geography: Any teacher who is not from the southwest may use portions of the text to teach about that area. Why are hot air balloons popular in New Mexico? Where is the Rio Grande River? What is the terrain like? What does it mean to live in a desert? Simply learning that a desert does not only consist of drifting sand dunes would be a good use here.

Study of culture and the family unit: There are two grandmothers in the story who play vital roles in the lives of young people. A study of the nuclear family and extended family would be a good fit. The role of grandmothers and grandparents in societies today would also be a good fit. In Tortilla Sun there are both multigenerational households and nuclear families: Izzy, her grandmother and mother, Mateo and his parents, and then Maggie and her grandmother, Gip. Unlike some novels, the family unit, although broken at the beginning (Izzy and her mother live alone), becomes the mainstay of the whole story.

Study of Mexican-American culture: Izzy rediscovers her roots and forms her identity in this story. She does not come to New Mexico with a strong sense of who she is. It’s her grandmother, Nana, who teaches her about the religion, the Saltillo tiles, the food, and even a bit of the history. A historian at heart, I was fascinated about why the doorways in her house were so low and narrow in Nana’s house. Izzy even discovers there is more to her name than she first thought.

In Language Arts there are a variety of lessons that could be drawn from the novel from close reading particular passages. Foreshadowing , figurative language, and story structure can be a focus of these reads. In addition, advice on how to start and finish writing a story using practical strategies can be found. Izzy begins her own stories by using index cards. Soon the index cards can be laid out together and she has a full story with a beginning, middle, and end.

AUTHOR: Jennifer Cervantes currently resides in New Mexico with her family, which she calls The Land of Enchantment. Tortilla Sun  is her first novel. For more information about Jennifer and her upcoming works please visit her website: http://www.jennifercervantes.com/index.html

FOR MORE INFORMATION ABOUT Tortilla Sun, visit your local library or bookstore. Also check out worldcat.orgindiebound.orggoodreads.comamazon.com, and barnesandnoble.com.

 

Kimberly Mach (2)Kimberly Mach has been teaching for sixteen years and holds two teaching certificates in elementary and secondary education. Her teaching experience ranges from grades five to twelve, but she currently teaches Language Arts to middle school students. It is a job she loves. The opportunity to share good books with students is one that every teacher should have. She feels privileged to be able to share them on a daily basis.

 

Writers: You’re Invited to Our First Ever Pitch Fiesta!

We’re baaaaaaack from vacation and so excited to announce the details for our first ever Pitch Fiesta, an online pitch event that could lead to writer-agent-publisher matches and future books by/for/about Latin@s. This event is open to middle grade and young adult writers. We’re sorry, but no picture book manuscripts this time around. We might have a separate event in the future for picture book writers and illustrators.
Before we get to the application information, let’s introduce our participating agents and publisher:

ADominguezSMALLAdriana Dominguez, an agent at Full Circle Literary since 2009, has 15 years of experience in publishing, most recently as Executive Editor at HarperCollins Children’s Books, where she managed the children’s division of the Rayo imprint. She is a member of the Brooklyn Literary Council, which organizes the Brooklyn Book Festival, and one of the founders of the Comadres and Compadres Writers Conference in NYC. She is interested in middle grade novels and literary young adult novels. Adriana has a long trajectory of publishing underrepresented authors and illustrators, and welcomes submissions that offer diverse points of view.

 

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Adrienne Rosado is an agent at the Nancy Yost Literary Agency as well as the Foreign Rights Director. She is interested in literary and commercial fiction, especially YA, urban fantasy, multicultural fiction, women’s fiction, and new adult, all with strong voices and an authentic tone.  She’s especially drawn to dark humor, innovative takes on classic literary themes, and Southern gothics. Adrienne is also on the lookout for quirky and smart narrative nonfiction, memoirs, pop science, and business books with a creative approach. Please no picture books, chapter books, poetry, or westerns.

 

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Amy Boggs is an agent at the Donald Maass Literary Agency. She is looking for all things fantasy and science fiction, especially high fantasy, urban fantasy, steampunk (and its variations), YA, MG, and alternate history. She is also looking for unique works of contemporary YA, historical fiction, Westerns, and works that challenge their genre are also welcome. She seeks and supports projects and authors diverse in any and all respects, such as (but not limited to) gender, race, ethnicity, disability, and sexuality. Please no: thrillers, women’s fiction, picture books, chapter books, poetry, screenplays, or any debut work under 30,000 words in length.

 

sara_sized_160x240Sara Megibow is an agent at the Nelson Literary Agency. Sara is looking for debut authors with a complete novel-length manuscript in any of these genres: middle grade, young adult, new adult, romance, erotica, science fiction or fantasy. Any sub-genre is accepted including paranormal, historical, contemporary, steampunk, fantasy, etc. In short – if you can write it, Sara will read it – as long as it’s 100% complete, novel-length, not previously published and in one of the above genres. Where does Diversity fit in? Sara is looking for manuscripts AND/OR authors representing diversity of religion, race, culture, socio-economic status, ability, age, gender and/or sexual orientation. Sara is on twitter @SaraMegibow and on Publishers Marketplace here:  http://www.publishersmarketplace.com/members/SaraMegibow/

 

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Kathleen Ortiz is the director of subsidiary rights and a literary agent for New Leaf Literary & Media, Inc. She is an active member of AAR and SCBWI. She’s always on the hunt for outstanding stories with strong characters whose voice and journey stay with her long after she finishes reading the story. She loves YAs set within other cultures and experiences across all genres (though she’s a bit full up on sci-fi and dystopian at the moment).

 

 

Laura Dial

Laura Dail of the Laura Dail Literary Agency received her Master’s degree in Spanish Literature from Middlebury College (but would prefer to consider works in English). She’s most interested in realistic YA, and funny middle grade and chapter books. She represents fiction and nonfiction, but no picture books, poetry, or screenplays. See more here: http://ldlainc.com/kids-teen-ya/

 

 

AP long logo color verticalArte Público Press, affiliated with the University of Houston, specializes in publishing contemporary novels, short stories, poetry, and drama based on U.S. Hispanic cultural issues and themes. Arte Público also is interested in reference works and non-fiction studies, especially of Hispanic civil rights, women’s issues and history. Manuscripts, queries, synopses, outlines, proposals, introductory chapters, etc. are accepted in either English or Spanish, although the majority of our publications are in English.

Piñata Books is Arte Público Press’ imprint for children’s and young adult literature. It seeks to authentically and realistically portray themes, characters, and customs unique to U.S. Hispanic culture. Submissions and manuscript formalities are the same as for Arte Público Press.

Now, here are the guidelines:

1. Writers who are Latin@ or writers of any ethnicity who have included Latin@ characters, settings, etc. in their manuscripts are eligible to apply.

2. You must have a complete manuscript at the time of the Pitch Fiesta. If an agent or editor is interested, you must have a complete manuscript ready to send. So, writers–get writing! Finish that manuscript!

3. Please read and consider what the agents are looking for. Please do not send us a query and first pages in a genre that does not mesh with their lists.

4. We will accept applications from September 2 through October 3. To apply, please send your query and the first 5-10 pages of your middle grade or young adult novel to our email: latinosinkidlit@gmail.com. In the subject line, please write: PITCH FIESTA ENTRY. Please post both the query and the first pages directly into the email. No attachments.

5. One of the Latin@s in Kid Lit members will read and respond to your email. During the month of October, we will help selected writers revise and polish queries and first pages to prepare for the Pitch Fiesta. Even though we will help you with your queries and first pages, please send us your best work. We have the right to reject any applications.

Queries and first pages will be posted on November 12 and 13. If an agent or an editor from Arte Público is interested, you will be contacted.

Exciting, right?

We hope writers will take advantage of this opportunity to present your work to publishing professionals who are actively seeking, and thereby supporting, diversity in kid lit!